Provincetown Art News and Information
Tod Lindemuth (1885-1956), The Runway (Provincetown), color woodcut, 1917, signed in pencil lower right, titled and numbered (67/100) lower left. On medium weight Japan paper, in very good condition, with margins (slight evidence of yellowing here and there, the slightest marginal light staining), the full sheet with deckle edges, 14 3/8 x 11 1/8, the sheet 18 x 15 1/2 inches, archival mounting with window mat.
A fine, carefully printed impression of this important American early modernist woodcut.
Although the print is annotated with a number, we believe this is probably not evidence of the size of the edition (and this misnumbering of prints was not unusual at that time); in fact this print appears to be exceedingly rare. When Lindemuth’s daughter was interviewed for the artist’s file for the Archives of American Art (Smithsonian Institute) she noted that this print was “one of the few color wood blocks I’m aware of, it’s of the fish hauling runways in Provincetown in 1917.”
A variant of this print (from the collection of the New York Public Library), without the background structure (the runway, in fact) is pictured in Una Johnson’s American Prints and Printmakers (page 14). There it’s called “Low Tide.” (We have another Lindemuth print which he titled “Low Tide” which bears no resemblance to either of these.)
Lindemuth, a painter, was one of a number of American artists (including the Zorachs, Max Weber, BJO Nordfeldt) who were influenced by European Modernim and Japonisme, and who made woodcuts (often in Provincetown) in the 1915-1925 period; these were in many respects the beginnings of American Modernism.
Note: All my auctions are no reserve. U.S. shipping and insurance free. Inquiries are always welcome. The authenticity of all prints is fully guaranteed, as is the satisfaction of the buyer; if not completely delighted with this print for any (or no) reason a full refund including any shipping costs will be given on its return.
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